The Role of Filippo Vadi in the dei Liberi Tradition, Pt. I

Part of Vadi’s goal may have been to show his art as unique, which is certainly how he promoted his work to the court of Urbino. Another possibility is that all of these guards likely originated from older sources. The Bolognese masters also used coda longa (or properly, coda longa e distessa),dente di chinghiale and porta di ferro (but these two terms mean an entire class of guards).Eisenpforte (“iron gate”) and Kron (“crown” – corona) are old German guard names, for the same positions Fiore shows as porta di ferro mezzana (“middle iron gate”) and posta frontale o corona(“frontal guard, called crown”). We have to remember that what we have is a snapshot in time of how the guards look c.1409 in Ferrara, c.1482 in Urbino, and c.1500 – 1570 in Bologna. We have no linking information per se, nor anything on their origin.

But as regards Vadi and dei Liberi, in many cases the reader is seeing Fiore’s guards, they just don’t know it. Remember Fiore’s injunction that “all guards make volta stabile and mezza volta“? This is often translated to mean that dei Liberi’s poste have both forward and rear-weighted variations (as he clearly shows with posta di donna and dente di cenghiaro), and left and right side variations.

Now, let’s look at Vadi’s dente di cenghiaro on Folio 17v. Before we assume that this is a “new” or a “revised” guard, we should ask ourselves how what is shown relates to dei Liberi’s advice. Or does it? What about his version of posta di donna?

The Role of Filippo Vadi in the dei Liberi Tradition, Pt. I «

Advertisements
This entry was posted in Filippo Vadi, Fiore de Liberi, Longsword. Bookmark the permalink.

One Response to The Role of Filippo Vadi in the dei Liberi Tradition, Pt. I

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s